oído con la clave en el interludio que después vienen los desplotes
03
Se Le Fue La Mano
6:33
la naturaleza del fuerte tumbao de Lázaro Valdes
04
El Protagonista
6:08
más funky que funky, para tirarse al piso
05
Recapacita
4:20
si no bailas es porque estas muerto
06
La Tremenda
5:25
llegó el circo de Bamboleo, cuidao con la bomba!
07
El Manisero
5:21
bolero, inspiración para todos
08
Candil de Nieve
5:32
tema instrumental, influenciado por el jazz y fusión
09
El Pillo
7:06
si te gusta el bajo esta es la canción para tí !!!
10
Lo Mio
4:47
otro tema bien pero que bien funky
11
Lo Que Quiero Es Bamboleo
4:51
Ahi Nama!
12
Ya No Hace Falta (Radio Version)
4:32
versión más corta para los DJs o la radio
Rising to new levels of dance and despelote frenzy with its title track hit "Ya No Hace Falta", Bamboleo's third and critically acclaimed release completes the trio of absolutely indispensable albums in any great timba collection.
After Haila, Limonta, Gonzalo, Vargas, and Espinosa departed for Azúcar Negra, Valdés brought in Yordamis Megret, and Labarrera, although his songs are featured, was replaced by NG La Banda alumnus Jorge "El Gafas" Rodríguez. "Ya No Hace Falta" is a big leap forward in terms of the sophistication of the rhythm section arrangements and the raw fury of one of Timba's most explosive rhythm sections featuring the additions of Rafael Paceiro Monzón on bass and Duñesky Barreto on congas and the return to the separate drummer/separate timbalero approach with the addition of Herlan Sarior on timbales. All told, I would have to say this is Bamboleo's most satifying and complete album.
--review by Kevin Moore of www.TIMBA.com
Like sweet rum and smooth cigars, Bamboleo is another one of those fine Cuban exports that, once you get a taste of it, one sampling just won't be enough. The 14-member timba group is one hot number, from its music and choreography to its well-dressed singers and musicians. Lazaro Valdes leads the band, and he also plays the piano, arranges, composes, and writes songs. A Havana native, he was enrolled in the Alejandro Garcia Caturla Academy during the 1970s. He established Bamboleo after spending time performing with such artists as Pachito Alonso, Bobby Carcasses, and Hector Tellez. He culled musicians from the cream of the crop, incorporating into his new troupe many who had trained at Havana's National School of the Arts. He added some spark with vocalist Haila Mompie, who in turn recruited vocalist Vannia Borges. Another Havana native, Borges became a music student when she was five years old, and first sang professionally with an all-woman outfit known as D'capo in the early '90s. Four years later, she moved on to Pachito Alonso y su Kini Kini, leaving in 1997 to add her talents to Bamboleo. Guantanamo native Yordamis Megret came to the group in 1998, a year after Mompie left. She started her musical training when she was 10 years old and took up the guitar. Like Borges, she, too, is an alumna of the National School of Arts. Upon graduation, she started singing professionally with Ricacha. Before joining Bamboleo, Megret sang for Jose Luis Cortes' salsa ensemble, PG.
Bamboleo first started touring outside of Cuba in 1996, the same year the group debuted with 'Te Gusto o Te Caigo Bien'. The group has performed in major U.S. cities, from Chicago to Miami, and New York to Los Angeles. After the release of 'Yo No Me Parezco A Nadie' and 'Ya No Hace Falta', the group toured the world, with stops in Europe, the U.S., and Japan, as well as China's Heineken 2000 World Music Festival. Bamboleo also contributed to the Temptations' Grammy-winning Ear-Resistable. In addition, the ensemble has been featured on the MTV program Road Rules, and has worked with artists such as James Brown, Femi Kuti, and George Benson. ~ Linda Seida, All Music Guide
